I've always had a difficult time getting worked 
up over copies, whether a repro from a studio or 
output from a color printer. 

Sure, some copies are higher quality than others 
which make them worth more, but nothing compares 
to the truly unique, one of a kind cel used in 
the actual production of a movie. 

The thought of buying an expensive repro has all 
the excitment of paying for a xerox of Babe 
Ruth's signature.